About Conrad Veidt:
Hans Walter Conrad Veidt was a German actor best remembered for his roles in films such as The Cabinet of Dr. Caligari (1920), The Man Who Laughs (1928), and, after being forced to emigrate to Britain by the rise of Nazism in Germany, his English-speaking roles in The Thief of Bagdad (1940), and, in Hollywood, Casablanca (1942). After a successful career in German silent film, where he was one of the best-paid stars of Ufa, he left Germany in 1933 with his new Jewish wife after the Nazis came to power. They settled in Britain, where he participated in a number of films before emigrating to the United States around 1941.
It is my greatest joy to live a really good part, even though it imposes great strain. An artist is tired but proud when he has created a great work of art. So it is with the actor who really lives a great role and is proud of the part he played.Conrad Veidt
My birth neither shook the German Empire nor caused much of an upheaval in the home. It pleased mother, caused father a certain amount of pride and my elder brother the usual fraternal jealousy of a hitherto only son.Conrad Veidt
I think the motion picture industry is a stupid business and I despise acting the scenes in short snatches, one at a time. I hate this film work. I am disgusted with myself. On the stage I could never play a part unless I felt it with all my heart an...Conrad Veidt
I was never a villain on the stage. I always played strong, sympathetic types. My first stage role with a speaking part, believe it or not, was as a priest. It wasn't until I began acting in films that the producers and directors saw me primarily as ...Conrad Veidt
It is precisely as though I were possessed by some other spirit when I enter on a new task of acting, as though something within me presses a switch and my own consciousness merges into some other, greater, more vital being.Conrad Veidt
Looking back across the years, so many pictures flash on the screen of my memory that just as I begin to see one clearly, another slides in, blotting out the first, itself to be pushed aside by the next and the next and the next.Conrad Veidt